Category: CD

CD

Rossini: Overtures arranged for Mandolin Quintet

The Quintetto a Plettro “Giuseppe Anedda” has recorded an album with ouvertures by Rossini arranged for mandolin quintet.

  • Quintetto a Plettro “Giuseppe Anedda”
  • Emanuele Buzi mandolin
  • Norberto Gonçalves da Cruz mandolin
  • Valdimiro Buzi mandola
  • Andrea Pace guitar
  • Emiliano Piccolini contrabass

The complete first track, the ouverture from “L’Italiana in Algeri” can be seen in the following promotion video:

Screenshot from the website of the Quintetto a PLettro “Giuseppe Anedda”

The Rossini anniversary of 2018 presented an opportunity to shed new light on these familiar works, but in a form that the composer himself would have recognised. This long-established mandolin quintet took a mix of old and newly commissioned arrangements and toured them across Italy to great success before making the present recording. The quintet takes its name from the mandolin virtuoso Giuseppe Anedda (1912-97) who popularised the instrument throughout his native Italy with his own ensemble and established for it a place in classical concert halls and modern works beyond the ‘early music revival’ of the 50s and 60s. He took part in pioneering recordings of Vivaldi and early performances of Stravinsky’s Agon. 

They commissioned Michele Di Filippo to arrange the first four overtures on this album: L’Italiana in Algeri (1813), Il Viaggio a Reims (1825), La Cenerentola (1817) and La Scala di Seta (1812). The other four overtures are from Il Signor Bruschino (1813), Il Barbiere di Siviglia (1816), Tancredi (1813) and La Gazza Ladra (1817), for which the quintet performs from transcriptions made and published in the first half of the 20th century by Mario Macchioci and Enrico Marucelli. All the arrangements preserve the heady excitement of the famous ‘Rossini crescendo’ as well as the chamber-like dialogue between wind and strings in the original scores. 

Spotify Playlist

CD

Marijke und Michiel Wiesenekker – Compilation – Wouldn’t Listen…

Marijke and Michiel Wiesenekker have sent me the following review of their compilation Wouldn’t Listen 2000 ~ 2020 by Rick Bella from the Oregon Mandolin Orchestra.

New album from Marijke and Michiel Wiesenekker

Marijke Wiesenekker and her brother, Michiel, have released a compilation album that samples the
best of 20 years of recording together.

Wouldn’t Listen 2000 ~ 2020 is Marijke and Michiel Wiesenekker’s latest digitalrelease album, featuring a wide-ranging, 21-piece compilation of ear-tickling remakes and originals.

The esteemed Dutch brother-sister duo now based in Wuppertal, Germany, has performed together for 21 years, deftly entwining Michiel’s inventive guitar musings with Marijke’s musical dance on mandolin.

“With this album, we celebrate the 20th jubilee of our duo,” said Michiel. “We have made friends in the U.S.A., Japan, Germany, Italy, Austria, Russia, Finland and Spain, — all connected by the pleasures of making music. Now, it’s time to look back and dress up some of our old favorites with new outfits. We hope you will enjoy the music.”

Started young together

Marijke and Michiel began playing music together as children growing up in Amsterdam, the Netherlands. They both studied at the Music Conservatory in Cologne, Germany, and later thrived in the dynamic music scene percolating in nearby Wuppertal.

After playing together so long, there hardly is a genre of music the duo hasn’t explored — and Wouldn’t Listen touches on most of them. Marijke and Michiel feel at home playing pop and rock, bluegrass, folk, light jazz and classical, performing on a variety of electric and acoustic instruments.

They also sing, with Michiel doing a credible job on growling, American-born blues. On some pieces, Marijke adds sweet, clean harmonies over Michiel’s baritone.

A menu of good listening

Wouldn’t Listen 2000 ~ 2020 serves up a tantalizing mix that draws from earlier albums: Family Life (2020); Saevis Tranquillus in Undis (2016); Baumstrasse 14 (2013); May We Have This Dance (2010); Beresjiet (2008); The Inner Sound & Beyond (2004); and Wouldn’t Listen, the Wiesenekkers’ debut album of 2000:

Read more “Marijke und Michiel Wiesenekker – Compilation – Wouldn’t Listen 2000 ~ 2020”
CD

Xograr – New Album by Fernando Barroso

Xograr – a Galician word for “Play” – ist the name of the new album by Galician musician and composer Fernando Barroso. For this album Fernand Barroso has formed his new band with mandolin, cello, double bass and drums.

Fernando Barroso: Mandolin
Margarida Mariño: Cello
Sofia Neide: Doublebass
Álvaro Trillo: Drums

The title track Xograr is already available at youtube – showing Fernando Barroso playing the oud as well as the mandolin.

Fernando Barroso has created his unique fusion style, based on Galician folk, the classical sound of violoncello and double bass, and his powerful and always present mandolin.

Until now the mandolin has not been used much in this kind of music, Fernando Barroso has opened a new style of music to the mandolin.

Screenshot from Xograr video

Xograr – Title track

Xograr – Life performance

Playlist Singles from the new album

The new album has been published on March 6, 2020.

Youtube Playlist complete Album Xograr

Spotify Playlist

CD

Carlo Aonzo Trio – Mandolitaly

Carlo Aonzo has published a new CD with Italian music – Mandolitaly. In this album the Carlo Aonzo Trio plays a set of Italian tunes in very entertaining way, with a light mood and jazzy influences. The mandolin has a beautiful tone, and the accompaniment by guitar and double bass prepares a colorful base for the mandolin.

You can hear selections by Raffaele Calace and Carlo Munier, songs like the Genoese song “Ma se ghe penso”, the Neapolitan song “Voce ‘e notte”, the song “Nebbia’a la Vall” from the Abruzzi, a Sicilian Tarantella joined with Taranta Steps by John Coltrane, and a classical Toccata in A.

Carlo Aonzo has a compiled a great and entertaining album for everybody who loves the mandolin, with lovely tremolo serenades and jolly tarantellas. Some of the recordings remind me of the great Dave Apollon.

For the recording Carlo has added some great guest musicians to add more colors to the unique sound.

Claudio Bellato (guitar) 

Tommaso Bellomare (sicilian jew’s harp)

Rudy Cervetto (drums) 

Antonio Marangolo (sax) 

Ismaila Mbaye (african percussions) 

Fabio Rinaudo (bagpipes, flute) 

Daniele Sepe (sax) 

Ike Stubblefield (hammond organ)

Riccardo Tesi (diatonic accordion) 

Riccardo Zegna (piano)

The album can be ordered directly from Carlo Aonzo, it will be available soon on all other platforms.

Mandolitaly

You can hear some of the songs of this new CD as a live performance of the Carlo Aonzo Trio in the following podcast:
00:00 Indifference (short version)
06:35 Polke
11:53 Mazurka Sentimentale
18:13 Voce e’ Notte + Taranta Steps
25:00 Arrivederci Roma + Roma nun fa la stupida stasera
32:09 Mazurka (Calace)
38:06 Receita de Samba
43:46 Splitting it up
49:38 Vivaldi in New York (L’Estate 3° mov.)
54:30 Minuano (short version)

Playlist Mandolitaly

CD presentation on the website of Carlo Aonzo:

https://carloaonzo.com/mandolitaly-the-new-album

After “A Mandolin Journey”, musical tour through the continents, the Carlo Aonzo Trio – Carlo Aonzo on the Italian mandolin, Lorenzo Piccone on the acoustic guitar and Luciano Puppo on the double bass – is back, this time travelling along the Italian tradition to rediscover its peculiar soundtrack. Once again the main character is the mandolin which, in the personal unique modern and eclectic style of Aonzo, makes such repertoire surprisingly catchy and contemporary.

Additional Information

Review of “MandolItaly” in the Mandolin Cafe – including the track “Taranta Steps” from the album.

Review of the album (ondamusicale.it – Italian)

The previous album by the Carlo Aonzo Trio:

A Mandolin Journey at Spotify

Wikipedi about the song Ma se ghe penso