Playlist Federico Maddaluno – Costantino Bertucci – Chamber Music with Mandolin, Guitar and Piano
Federico Maddaluno is a young mandolin player from Napoli. He has produced an album with music composed by Costantino Bertucci. Bertucci has composed 24 Fantasies for mandolin solo and many other compositions. The complete playlist is available as a youtube playlist.
I am collecting my favorite mandolin videos in a “best of mandolin” playlist. In my playlists you can find all kind of mandolin music, from the Baroque mandolin and classical mandolin, to Bluegrass, Jazz and Folk, music for solo, duo, trio, quartett, ensemble or mandolin orchestra.
My playlist “Best Mandolin Music – 103 diamonds” is just complete:
Enjoy and discover some of the best mandolin music that I have found on youtube, and some of the best players of out favorite instrument!
Find more of my “best mandolin music” playlists on my website:
The Rossini anniversary of 2018 presented an opportunity to shed new light on these familiar works, but in a form that the composer himself would have recognised. This long-established mandolin quintet took a mix of old and newly commissioned arrangements and toured them across Italy to great success before making the present recording. The quintet takes its name from the mandolin virtuoso Giuseppe Anedda (1912-97) who popularised the instrument throughout his native Italy with his own ensemble and established for it a place in classical concert halls and modern works beyond the ‘early music revival’ of the 50s and 60s. He took part in pioneering recordings of Vivaldi and early performances of Stravinsky’s Agon.
They commissioned Michele Di Filippo to arrange the first four overtures on this album: L’Italiana in Algeri (1813), Il Viaggio a Reims (1825), La Cenerentola (1817) and La Scala di Seta (1812). The other four overtures are from Il Signor Bruschino (1813), Il Barbiere di Siviglia (1816), Tancredi (1813) and La Gazza Ladra (1817), for which the quintet performs from transcriptions made and published in the first half of the 20th century by Mario Macchioci and Enrico Marucelli. All the arrangements preserve the heady excitement of the famous ‘Rossini crescendo’ as well as the chamber-like dialogue between wind and strings in the original scores.
This work deals with the life and work of one of the most popular bandurrists of the late nineteenth and early twentieth centuries, Baldomero Cateura (1856-1929). The Spanish mandolin and its repertoire, the “trípode”, the strings, method and “piano-pedalier” are the main elements here treated; but, what really makes this research valuable is the Anthology by Baldomero Cateura (downloadable from the internet). In its slow and complicated elaboration, I have gathered 101 works, almost 1000 pages – some original and others adapted – most of which were given for losses. This repertoire is a valuable contribution to the repertoire of the “plucked Instruments”.
The work is illustrated with a large number of images and abundant information extracted from newspaper library. Includes the first biography of the bandurrist Carlos Terraza de Vesga. And despite the importance of its composer, brings to light the impressive work for spanish mandolin (bandurria model Cateura) by Manuel Burgés.
Soleá (B. Cateura) – Orquesta se plectro Torre del Alfiler
Concierto de clausura del II Festival de Plectro Ciudad de Granada celebrado en el Auditorio Manuel de Falla el día 8 de junio de 2019. Obra: Soleá (Baldomero Cateura) – Adaptación y arreglos: Roberto Megías. Interpreta: Orquesta de Plectro Torre del Alfiler. Dirige: Florencio Rozi Rodríguez.